šŸÆ Milk and Honey by John Lennon and Yoko Ono.

My dad was an executive at Polydor/PolyGram at the time and did quite a bit of work for 'Milk & Honey', as well as Yoko's other albums on the label. His birthday was a few months ago, and I made him a CD compilation that's effectively a 'best of' regarding music he was closely involved with during his time in the business. I made sure to include 'Nobody Told Me', and it was wonderful that after 40 years he became reacquainted with this material and told me he'd forgotten how good it was.:)

Just like its predecessor, a wonderful album. It's hard to believe John's recordings are largely rough versions, because they sound excellent even in that stage. For me, some of his very best songs are on it - how can 'Grow Old With Me' be outdone? šŸ•Šļø
 
View attachment 2785

The last public collaboration between John Lennon and Yoko Ono which was released 4 years after John's death, January 9, 1984.

Bittersweet.

What's your favorite track?
It is truly a wonderful and magical album, as they have said it is hard to believe that the artistic works here come from a preliminary, all its melodies are beautiful and full of unique meaning,It's really hard to pick one specific tune but I'll stick with "Grow Old With Me."
 
View attachment 2785

The last public collaboration between John Lennon and Yoko Ono which was released 4 years after John's death, January 9, 1984.

Bittersweet.

What's your favorite track?
Iā€™ve never seen anyone talk about ā€œ(Forgive Me) My Little Flower Princessā€, itā€™s SO SWEET!!

ā€œIā€™m Stepping Outā€ and ā€œNobody Told Meā€ have always been favorites as well šŸ¤
 
Perhaps a strange opinion, but itā€™s my favourite Lennon album and very nearly my favourite Yoko album - her song Your Hands is such a powerful evocation of grief, for me standing next to Here Today in its use of music to communicate the loss of someone so incredible (of course, both songs from the two people who knew and loved John the most).

Perhaps the context changes my perspective, but this album is not just one released after Johnā€™s death but is one definitively posthumous in all of the tragedy that conveys - Grow Old With Me can only work here as its unfinished demo, next to Yokoā€™s wonderful Let Me Count the Ways, so Iā€™m happy the ā€˜completeā€™ treatment was left until later, including on the Gimme Some Truth compilation. Yoko and Sean have never tried to make the story of John just that he died - he was killed, far too young, by a violent act. Leaving GOWM as it is shows Lennon is someone who was reaching a new creative peak before it was all taken away.

The concept of the dialogue - between a man looking forward to a new lifeā€™s beginning and his now widow who knows that the story ended far too soon - I feel is even stronger here than on Double Fantasy, where it already works very well.

Ultimately, the album contains really brilliant songs all the way through, and Iā€™m very happy thereā€™s very well mixed versions of the most complete studio takes of the Lennon songs - it would have been too jarring, and too artificial given he did these studio recordings, to segue from all demos for John into polished studio songs from Yoko. It works very well for the final piece of dialogue.

I love John and Yoko in 1980, if thatā€™s not obvious! Iā€™m very much looking forward to if thereā€™s any kind of remaster/boxset/Ultimate version of DF and M&H. I really hope we get one of the brilliant tie-in books for the albums!
 
Perhaps a strange opinion, but itā€™s my favourite Lennon album and very nearly my favourite Yoko album - her song Your Hands is such a powerful evocation of grief, for me standing next to Here Today in its use of music to communicate the loss of someone so incredible (of course, both songs from the two people who knew and loved John the most).

Perhaps the context changes my perspective, but this album is not just one released after Johnā€™s death but is one definitively posthumous in all of the tragedy that conveys - Grow Old With Me can only work here as its unfinished demo, next to Yokoā€™s wonderful Let Me Count the Ways, so Iā€™m happy the ā€˜completeā€™ treatment was left until later, including on the Gimme Some Truth compilation. Yoko and Sean have never tried to make the story of John just that he died - he was killed, far too young, by a violent act. Leaving GOWM as it is shows Lennon is someone who was reaching a new creative peak before it was all taken away.

The concept of the dialogue - between a man looking forward to a new lifeā€™s beginning and his now widow who knows that the story ended far too soon - I feel is even stronger here than on Double Fantasy, where it already works very well.

Ultimately, the album contains really brilliant songs all the way through, and Iā€™m very happy thereā€™s very well mixed versions of the most complete studio takes of the Lennon songs - it would have been too jarring, and too artificial given he did these studio recordings, to segue from all demos for John into polished studio songs from Yoko. It works very well for the final piece of dialogue.

I love John and Yoko in 1980, if thatā€™s not obvious! Iā€™m very much looking forward to if thereā€™s any kind of remaster/boxset/Ultimate version of DF and M&H. I really hope we get one of the brilliant tie-in books for the albums!
I hate how posthumous work gets overlooked, or how others label it as ā€œtoo depressingā€. Yes this is the last work we got from John, but what an amazing way to remember him!! The same with Georgeā€™s Brainwashedā€¦SO many masterpieces off that one!
 
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